Oboe Concerto in D minor, Op.9 No.2 - Part 3
Tomaso Albinoni, Tomaso Albinoni's Orchestra Trieste
Oboe Concerto in D minor, Op.9 No.2
2:57 January 11, 2013
BPM
84
Key
D♭ Major
Camelot
3B

Embed

Share Link

Oboe Concerto in D minor, Op.9 No.2 - Part 3 - Tomaso Albinoni, Tomaso Albinoni's Orchestra Trieste Information

Acousticness
79%
Danceability
55%
Energy
21%
Instrumentalness
66%
Liveness
11%
Loudness
71%
Speechiness
4%
Valence
29%
Popularity
Loudness
-17.324 dB

Summary

Tomaso Albinoni, Tomaso Albinoni's Orchestra Trieste's 'Oboe Concerto in D minor, Op.9 No.2 - Part 3' came out on January 11, 2013. The duration of Oboe Concerto in D minor, Op.9 No.2 - Part 3 is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Oboe Concerto in D minor, Op.9 No.2 - Part 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 3 in the song's album "Oboe Concerto in D minor, Op.9 No.2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Slovenia. Oboe Concerto in D minor, Op.9 No.2 - Part 3 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Oboe Concerto in D minor, Op.9 No.2 - Part 3 BPM

With Oboe Concerto in D minor, Op.9 No.2 - Part 3 by Tomaso Albinoni, Tomaso Albinoni's Orchestra Trieste having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Oboe Concerto in D minor, Op.9 No.2 - Part 3 Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto in C Minor: I. Introduzione - Larghetto by Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia OrchestraConcerto in C Minor: I. Introduzione - LarghettoDomenico Cimarosa, John Anderson, Simon Wright, Philharmonia OrchestraC Minor15A126 BPM
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang HelbichOde for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raiseGeorge Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang HelbichA♭ Minor01A96 BPM
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. GraveCologne Chamber Orchestra, Georg Philipp TelemannG Minor26A115 BPM
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante by Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia MaurerVivaldi: Concerto for Two Mandolins in G Major, RV 532: II. AndanteAntonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia MaurerB Minor010A132 BPM
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo by Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla NagyOboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. LargoAntonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla NagyC Major28B125 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Renaissance, Book 2: Sarabande (Lully) by Leopold Godowsky, Konstantin ScherbakovRenaissance, Book 2: Sarabande (Lully)Leopold Godowsky, Konstantin ScherbakovE Minor09A94 BPM
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo by Tomaso Albinoni, London BaroqueBalletto à 3 in G Major, Op. 3 No. 3: I. Preludio. LargoTomaso Albinoni, London BaroqueF♯ Major22B105 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierC Major08B92 BPM
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo by Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher HogwoodConcerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. LargoAntonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher HogwoodA♭ Major04B75 BPM
ISRC
SIB131300041
Label
L-M Records/RCA Records

Section: 0.6659066677093506

End: 0.669912576675415