Johann Sebastian Bach, Martin Helmchen made "Partita No. 3 in A Minor, BWV 827: II. Allemande" available on May 3, 2024. The duration of Partita No. 3 in A Minor, BWV 827: II. Allemande is about 3 minutes long, at 3:13. Based on our data, "Partita No. 3 in A Minor, BWV 827: II. Allemande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 40 in Bach: Six Partitas by Johann Sebastian Bach, Martin Helmchen. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Partita No. 3 in A Minor, BWV 827: II. Allemande is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Partita No. 3 in A Minor, BWV 827: II. Allemande by Johann Sebastian Bach, Martin Helmchen is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Christ Unser Herr Zum Jordan Kam BWV 7, Recitativo (Basso): Als Jesus Dort Nach Seinen Leiden | Holland Boys Choir; Netherlands Bach Collegium, Bas Ramselaar, Ruth Holton, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B♭ Minor | 0 | 3A | 89 BPM | ||
Suite in A Minor, RCT 1: VI. Sarabande | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Matthäuspassion, BWV 244: Aria: Da ging hin der Zwolfen einer (Evangelist, Judas) | Johann Sebastian Bach, Locky Chung, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | ||
Vater unser im Himmelreich, Variation 9 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Suite in A Minor, RCT 1: III. Deuxième Allemande | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Suite in A Major, BWV 1025: IV. Sarabande | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Ricercar in G Minor, FbWV 405, Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Prelude & Fugue in C Major, K. 394: II. Fugue | Wolfgang Amadeus Mozart, Kun-Woo Paik | F Major | 0 | 7B | 68 BPM | ||
(Ré)inventio: No. 3 in D Major [After J.S. Bach's BWV 774] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Fantasia and Fuge In A Minor, A Moll BWV904: Fantasia | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | B♭ Minor | 5 | 3A | 113 BPM |
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