"Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): IV. Allegro comodo" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. With Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): IV. Allegro comodo being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): IV. Allegro comodo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): IV. Allegro comodo by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): I. Allegro maestoso | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 2 | 10B | 129 BPM | ||
All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Deborah Cachet, Zachary Wilder, Lucile Richardot, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys | B♭ Major | 3 | 6B | 103 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
Ravel: 3 Chansons, M. 69: No. 2, Trois beaux oiseaux du paradis | Maurice Ravel, Philippe Caillard, Ensemble Vocal Philippe Caillard | B♭ Minor | 1 | 3A | 108 BPM | ||
Ave, lauderis | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Sacred Concerto No. 32, "Skazhi mi, Hospodi, konchinu moyu" (O Lord, make me to know mine end): IV. Moderato | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | C Minor | 1 | 5A | 144 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Son of God Mass: Agnus Dei | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Minor | 1 | 5A | 70 BPM |
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