"12 Danzas españolas (Spanish Dances), Op. 37: XII. Arabesca [arr. For 10-string guitar]" by Enrique Granados, Anders Miolin was released on February 28, 2003. Since 12 Danzas españolas (Spanish Dances), Op. 37: XII. Arabesca [arr. For 10-string guitar] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Enrique Granados, Anders Miolin's "Granados: Danzas Españolas, Op. 37 (Excerpts)" album is number 9 out of 12. On top of that, Sweden appears to be the country where this track was created. 12 Danzas españolas (Spanish Dances), Op. 37: XII. Arabesca [arr. For 10-string guitar] is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 12 Danzas españolas (Spanish Dances), Op. 37: XII. Arabesca [arr. For 10-string guitar] by Enrique Granados, Anders Miolin to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Nocturnes for Cello and Guitar: Nocturne No. 3 in C Major - Allegro moderato | Franz Burgmüller, Anja Lechner, Pablo Marquez | C Major | 1 | 8B | 121 BPM | ||
Danzas Españolas, Op. 37: IV. Villanesca | Enrique Granados, Alicia de Larrocha | G Major | 0 | 9B | 82 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Sonata: Allegro | Sophia Dussek, Judy Loman | C Minor | 1 | 5A | 126 BPM | ||
The Merry Shepherd Boy | Hu-Wei Huang, Lang Lang | G Minor | 2 | 6A | 112 BPM | ||
Escenas Poeticas, Book 1 (arr. P. Breiner for guitar and orchestra): Eva y Walter | Peter Breiner, Enrique Granados, Norbert Kraft, Razumovsky Sinfonia | C Major | 0 | 8B | 34 BPM | ||
Ponce: Estrellita | Manuel Ponce, Cocomi, 佐藤晴真, Miyuji Kaneko | E Major | 1 | 12B | 78 BPM |
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