"To Be Certain of the Dawn: Part II: Remembrance: Interlude: Veil of Tears" by Stephen Paulus, Nashville Symphony Orchestra, Giancarlo Guerrero was released on October 7, 2014. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Paulus: Three Places of Enlightenment, Veil of Tears & Grand Concerto". In this album, this song's track order is #4. Based on our statistics, To Be Certain of the Dawn: Part II: Remembrance: Interlude: Veil of Tears's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To Be Certain of the Dawn: Part II: Remembrance: Interlude: Veil of Tears by Stephen Paulus, Nashville Symphony Orchestra, Giancarlo Guerrero having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Middle | Choral Arts Initiative, Brandon Elliott, Dale Trumbore | B♭ Major | 1 | 6B | 65 BPM | ||
Under the Willow (Arr. S. LaBarr for Choir) [Live] | Stephen Foster, Texas All-State Women's Choir, Amanda Quist | B Minor | 4 | 10A | 81 BPM | ||
Muusika | Kammerkoor Head Ööd Vend | F Major | 0 | 7B | 83 BPM | ||
Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 72 BPM | ||
The Vagabond | John Ireland, Roderick Williams, Iain Burnside | A♭ Major | 0 | 4B | 0 BPM | ||
O Weisheit | Arvo Pärt, Daniel Taylor | A Major | 0 | 11B | 74 BPM | ||
Where All Roses Go | Michael McGlynn, Apollo5 | B Minor | 1 | 10A | 73 BPM | ||
Requiem | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
Versa est in luctum | Alonso Lobo, Tenebrae, Nigel Short | G Minor | 1 | 6A | 135 BPM |
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