"Sacrae symphoniae (arr. T. Higgins for brass ensemble): Magnificat a 12" by Giovanni Gabrieli, Timothy Higgins, National Brass Ensemble, Michael Sachs was released on October 9, 2015. With this song being about 5 minutes long, at 4:40, "Sacrae symphoniae (arr. T. Higgins for brass ensemble): Magnificat a 12" by Giovanni Gabrieli, Timothy Higgins, National Brass Ensemble, Michael Sachs is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Timothy Higgins, Giovanni Gabrieli, National Brass Ensemble, Gail Williams, Joseph Alessi, Michael Mulcahy, Yasuhito Sugiyama, James Sommerville, Michael Sachs's "Gabrieli: Music for Brass Ensemble (Arr. T. Higgins)" album is number 8 out of 17. Sacrae symphoniae (arr. T. Higgins for brass ensemble): Magnificat a 12 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sacrae symphoniae (arr. T. Higgins for brass ensemble): Magnificat a 12 by Giovanni Gabrieli, Timothy Higgins, National Brass Ensemble, Michael Sachs to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Quadragesima, MH 551: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 82 BPM | ||
Courtly Masquing Ayres: No. 18 | John Adson, The Prague Brass Soloists | C Major | 1 | 8B | 110 BPM | ||
The King of Denmarks Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork | E♭ Major | 1 | 5B | 120 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Alman | Alfonso Ferrabosco II, American Brass Quintet | C Major | 2 | 8B | 80 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Canzona per Sonare No. 27 | Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, Richard Burgin | G Minor | 1 | 6A | 137 BPM |
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