"Die mit Tranen saen" by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann was released on August 7, 2012. The duration of Die mit Tranen saen is about 3 minutes long, at 3:26. Based on our data, "Die mit Tranen saen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Schein: Israelsbrunnlein". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Die mit Tranen saen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die mit Tranen saen by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Pavan | William Byrd, The Rose Consort Of Viols | E Major | 2 | 12B | 103 BPM | ||
Suite No. 27 in D Minor for Gambas a 5: I. Sarabande | Andreas Hammerschmidt, Jordi Savall, Hespèrion XX | D Minor | 2 | 7A | 118 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM | ||
Ciaconna à 6 | Tarquinio Merula, Chorwerk Ruhr, Capella De La Torre, Florian Helgath | C Major | 1 | 8B | 170 BPM | ||
Qui confidunt | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A Minor | 1 | 8A | 82 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Repons: Caligaverunt oculi mei | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Major | 1 | 4B | 80 BPM |
Section: 0.762437105178833
End: 0.7682850360870361