"Now Sleeps The Crimson Petal - Reimagined by A Winged Victory for the Sullen" by Gareth Malone, Gareth Malone's Voices, A Winged Victory for the Sullen was released on January 1, 2013. Now Sleeps The Crimson Petal - Reimagined by A Winged Victory for the Sullen is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. This song is part of Voices: The Classical EP by Gareth Malone, Gareth Malone's Voices. The song's track number on the album is #6 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Now Sleeps The Crimson Petal - Reimagined by A Winged Victory for the Sullen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Now Sleeps The Crimson Petal - Reimagined by A Winged Victory for the Sullen by Gareth Malone, Gareth Malone's Voices, A Winged Victory for the Sullen has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Now Sleeps The Crimson Petal - Reimagined by A Winged Victory for the Sullen being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
First Impressions | Original Soundtrack | F Major | 0 | 7B | 130 BPM | ||
March | Gareth Malone | E Major | 0 | 12B | 84 BPM | ||
Truth, And Then There Were Teardrops | Amy Dickson | B♭ Minor | 1 | 3A | 63 BPM | ||
Air on the G String | Tayla Alexander | B♭ Major | 2 | 6B | 64 BPM | ||
There’s No Reason To Cry - Pt. 1 | Andy Pavlov | F♯ Minor | 1 | 11A | 175 BPM | ||
GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM | ||
apple tree | Rachel Portman | D Major | 1 | 10B | 59 BPM | ||
Celtic Concerto: 3. Solstice | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 2 | 3A | 140 BPM | ||
And so It Goes (Arr. P. Berring) | The Elora Singers, Noel Edison | D♭ Major | 0 | 3B | 128 BPM | ||
Deep Peace (feat. Ars Nova Singers) - Choral Version | Bill Douglas, Ars Nova Singers | F Major | 3 | 7B | 76 BPM |
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