- BPM
- 83
- Key
- D♭ Major
- Camelot
- 3B
La Traviata, Teil 26 - La Traviata Information
- Acousticness
- 35%
- Danceability
- 61%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 51%
- Speechiness
- 95%
- Valence
- 42%
- Popularity
- 2%
- Loudness
- -29.629 dB
Summary
La Traviata made "La Traviata, Teil 26" available on January 7, 2014. The duration of La Traviata, Teil 26 is about 3 minutes long, at 3:11. Based on our data, "La Traviata, Teil 26" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in La Traviata's "La Traviata (Hörspiel)" album is number 26 out of 28. La Traviata, Teil 26 is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
La Traviata, Teil 26 BPM
We consider the tempo marking of La Traviata, Teil 26 by La Traviata to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
La Traviata, Teil 26 Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | |
 | Orfeo ed Euridice (Orphée et Eurydice) / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Anne Sofie von Otter, The English Concert, Trevor Pinnock | B Major | 2 | 1B | 106 BPM | |
 | Roméo et Juliette, 'Romeo and Juliet' (1997 Digital Remaster): Je veux vivre (Waltz) | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | F Major | 2 | 7B | 81 BPM | |
 | Un moto di gioia mi sento, K.579 | Wolfgang Amadeus Mozart, Edita Gruberova, Vienna Chamber Orchestra, György Fischer | D Major | 2 | 10B | 130 BPM | |
 | Die Zauberflöte, K.620 / Zweiter Aufzug: "O Isis und Osiris" | Wolfgang Amadeus Mozart, René Pape, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F Major | 0 | 7B | 136 BPM | |
 | Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | |
 | E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | |
 | Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | |
 | Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | |
| La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6280879974365234
End: 0.6325507164001465