Malcolm Arnold, Bryden Thomson, Philharmonic Orchestra's 'Four Scottish Dances, Op. 59: II. Vivace' came out on June 1, 1990. The duration of Four Scottish Dances, Op. 59: II. Vivace is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Four Scottish Dances, Op. 59: II. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 22 in Arnold: Dances by Malcolm Arnold, Bryden Thomson, Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Four Scottish Dances, Op. 59: II. Vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Scottish Dances, Op. 59: II. Vivace by Malcolm Arnold, Bryden Thomson, Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Blithe Bells (After J.S. Bach's BWV 208) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | B Major | 2 | 1B | 89 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Rodeo: I. Buckaroo Holiday | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Major | 1 | 7B | 116 BPM | ||
Candide Suite (arr. C. Grundman for wind band): III. Auto-da-fe | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | C Major | 4 | 8B | 108 BPM | ||
4 Scottish Dances, Op. 59: No. 4. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | D Major | 0 | 10B | 158 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Rachmaninov / Transcr. Balsom: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Alison Balsom, Edward Gardner, Göteborg Symfoniker | D♭ Minor | 1 | 12A | 87 BPM |
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