Lucia di Lammermoor / Act 1: "Quando rapito in estasi"
Gaetano Donizetti, Montserrat Caballé, Ann Murray, New Philharmonia Orchestra, Jesús López-Cobos
Donizetti: Lucia di Lammermoor
4:17 January 1, 2002
BPM
175
Key
A♭ Major
Camelot
4B

Embed

Share Link

Lucia di Lammermoor / Act 1: "Quando rapito in estasi" - Gaetano Donizetti, Montserrat Caballé, Ann Murray, New Philharmonia Orchestra, Jesús López-Cobos Information

Acousticness
98%
Danceability
30%
Energy
22%
Instrumentalness
2%
Liveness
26%
Loudness
71%
Speechiness
10%
Valence
25%
Popularity
Loudness
-17.338 dB

Summary

Gaetano Donizetti, Montserrat Caballé, Ann Murray, New Philharmonia Orchestra, Jesús López-Cobos's 'Lucia di Lammermoor / Act 1: "Quando rapito in estasi"' came out on January 1, 2002. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 37 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Montserrat Caballé, José Carreras, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos. The popularity of Lucia di Lammermoor / Act 1: "Quando rapito in estasi" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lucia di Lammermoor / Act 1: "Quando rapito in estasi" BPM

The tempo marking of Lucia di Lammermoor / Act 1: "Quando rapito in estasi" by Gaetano Donizetti, Montserrat Caballé, Ann Murray, New Philharmonia Orchestra, Jesús López-Cobos is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Lucia di Lammermoor / Act 1: "Quando rapito in estasi" Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Fedora / Act 2: Fedora / Act 2: "Amor ti vieta"Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark ElderC Major18B91 BPM
Rinaldo / Act 2: Lascia ch'io pianga by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher HogwoodRinaldo / Act 2: Lascia ch'io piangaGeorge Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher HogwoodE Major112B176 BPM
Lucia di Lammermoor / Act 2: Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento"Gaetano Donizetti, Renato Cioni, Robert Merrill, Dame Joan Sutherland, Cesare Siepi, Kenneth McDonald, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John PritchardD Major210B94 BPM
Bellini: Norma, Act 1: Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus)Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, MilanoF Major27B88 BPM
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille by Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard BonyngeLes Contes d'Hoffmann / Act 1: Les oiseaux dans la charmilleJacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard BonyngeA♭ Major14B136 BPM
Maria Stuarda: Maria Stuarda: "Di un cor che more...Ah! Su un giorno"Leyla Gencer, Orchestra del Maggio Musicale FiorentinoF Major17B76 BPM
Il Bacio by Luigi Arditi, Olga Peretyatko, Enrique MazzolaIl BacioLuigi Arditi, Olga Peretyatko, Enrique MazzolaD Major110B96 BPM
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] by Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence RenesThe Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You]Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence RenesE♭ Major15B103 BPM
Questa o quella by Mario del MonacoQuesta o quellaMario del MonacoD♭ Major33B98 BPM
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) by Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaRossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus)Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaG Minor06A139 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8501999378204346

End: 0.8554167747497559