Gilbert & Sullivan Society of Houston's 'H.M.S. Pinafore, Act II: Things Are Seldom What They Seem' came out on August 1, 2006. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gilbert & Sullivan Society of Houston's "H.M.S. Pinafore" album is number 3 out of 34. H.M.S. Pinafore, Act II: Things Are Seldom What They Seem is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of H.M.S. Pinafore, Act II: Things Are Seldom What They Seem by Gilbert & Sullivan Society of Houston to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little Women (from Jo the Little Women Musical) | Kim Huber, Jenna Lea Rosen, Sophie Pollono, Miyuki Miyagi, Veronica Robinson | F Minor | 1 | 4A | 140 BPM | ||
Pappa all’opera | Francesca Borgarello, Roberta Angaramo | E Major | 2 | 12B | 113 BPM | ||
Trial by Jury: That Seems a Reasonable Proposition | Gilbert & Sullivan Society of Houston | E♭ Minor | 2 | 2A | 100 BPM | ||
Ragtime | Nicholas Rose, Ragtime Ensemble (1996) | B♭ Major | 2 | 6B | 114 BPM | ||
Pour, O Pour the Pirate Sherry | The Pirates Of Penzance | B♭ Major | 5 | 6B | 107 BPM | ||
Plank Round | Linda Eder, Daniel Narducci, Alaxander Frey | F Minor | 5 | 4A | 114 BPM | ||
H.M.S. Pinafore, Act I: When I Was a Lad | Gilbert & Sullivan Society of Houston | B♭ Major | 4 | 6B | 109 BPM | ||
The Song That Goes Like This - Original Broadway Cast Recording: "Spamalot" | Christopher Sieber, Sara Ramirez | F Major | 7 | 7B | 181 BPM | ||
We're Off to See the Wizard | Gillian Bevan, Paul Greenwood, Simon Green | B♭ Major | 2 | 6B | 85 BPM | ||
Darkness Falls | Valorie Sherburn | C Major | 4 | 8B | 118 BPM |
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