On January 7, 2014, the song "Recorder Sonata in D Minor: II. Allegro" was released by Leonardo Leo, Daniel Rothert, Luca Quintavalle. With Recorder Sonata in D Minor: II. Allegro being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Tesori di Napoli". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The popularity of Recorder Sonata in D Minor: II. Allegro is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Recorder Sonata in D Minor: II. Allegro by Leonardo Leo, Daniel Rothert, Luca Quintavalle having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
Konzert für zwei Flöten, Streicher und Cembalo, RV 533 | Musici di San Marco, Alberto Lizzio | F♯ Major | 1 | 2B | 115 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Minor | 1 | 9A | 92 BPM | ||
Concerto for Oboe, Strings and Basso Continuo in G Minor, Op. 8 No. 5: III. Adagio - Andante sostenuto | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | G Minor | 1 | 6A | 125 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Dal Tuo Soglio Luminoso | Alessandro Parisotti, Leonardo Leo | F Minor | 3 | 4A | 89 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM | ||
Madrigals to Foure Voyces (1594) - XVIII: Ho! Who comes here? | Thomas Morley, Alfred Deller, Deller Consort | C Major | 2 | 8B | 154 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM |
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