Moritz Moszkowski, Vladimir Horowitz made "Étincelles, Morceau caractéristique, Op. 36 No. 6 - Live" available on November 6, 2015. The duration of Étincelles, Morceau caractéristique, Op. 36 No. 6 - Live is about 3 minutes long, at 3:03. Based on our data, "Étincelles, Morceau caractéristique, Op. 36 No. 6 - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Return To Chicago (Live)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Étincelles, Morceau caractéristique, Op. 36 No. 6 - Live is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Étincelles, Morceau caractéristique, Op. 36 No. 6 - Live by Moritz Moszkowski, Vladimir Horowitz having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Polnische Volkstänze op. 55: II Mazurka | Moritz Moszkowski, Kaczorowska & Falana | D Major | 0 | 10B | 139 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Beethoven: Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo | Ludwig van Beethoven, Andrew von Oeyen | B♭ Minor | 2 | 3A | 142 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 4 in A-Flat Major: Allegretto | Franz Schubert, Krystian Zimerman | A♭ Major | 0 | 4B | 70 BPM |
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