Rudolf Kelterborn, See Siang Wong's '6 Klavierstucke: No. 5. Blurred' came out on February 24, 2015. The duration of 6 Klavierstucke: No. 5. Blurred is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. 6 Klavierstucke: No. 5. Blurred's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 62 in the song's album "Swiss Piano Project". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, 6 Klavierstucke: No. 5. Blurred's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Klavierstucke: No. 5. Blurred by Rudolf Kelterborn, See Siang Wong having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Solo Violin No. 1 in G Minor, Op. 27: III. Allegretto poco scherzoso. Amabile | Sergey Khachatryan | B Minor | 1 | 10A | 82 BPM | ||
Piano Distance | Toru Takemitsu, Kotaro Fukuma | F Major | 0 | 7B | 137 BPM | ||
Violin Concerto, Op. 30: IIIa. Scherzo pianissimo. Sempre volante, misterioso e appena sensibile | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Sonata for Solo Violin No. 2 in A Minor, Op. 27: I. Obsession. Prélude. Poco vivace - Meno mosso - Tempo vivo | Sergey Khachatryan | B Minor | 1 | 10A | 82 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Mairzy Doats | Stuart Dempster, Pauline Oliveros, David Gamper, Zero the Clown, Deep Listening Band | A♭ Major | 1 | 4B | 66 BPM | ||
Long-Ge | Jack Body, Kronos Quartet | C Major | 0 | 8B | 122 BPM |
Section: 0.5923449993133545
End: 0.595975399017334