"Sonatina for Clarinet and Piano - Arr. for Piano" by Malcolm Arnold, Rachel Attwell-Ramos was released on 2013. The duration of Sonatina for Clarinet and Piano - Arr. for Piano is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Sonatina for Clarinet and Piano - Arr. for Piano's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 50 in Clarinet Exam Pieces 2014 - 2017, ABRSM Grade 5 by John Reynolds, Rachel Attwell-Ramos. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sonatina for Clarinet and Piano - Arr. for Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonatina for Clarinet and Piano - Arr. for Piano by Malcolm Arnold, Rachel Attwell-Ramos is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | A Minor | 3 | 8A | 81 BPM | ||
4 Scottish Dances, Op. 59 (arr. J.P. Paynter): No. 3. Allegretto | John P. Paynter, Malcolm Arnold, College of New Jersey Wind Ensemble, William Silvester | F Major | 1 | 7B | 135 BPM | ||
Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nurnberger Symphoniker | C Major | 9 | 8B | 85 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM |
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