Guillaume Costeley, Ensemble Clément Janequin, Dominique Visse made "Elle craint l'esperon - Celle qu'ainsi fiere voyez (response)" available on September 15, 1985. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 24 in Fricassée parisienne by Ensemble Clément Janequin, Dominique Visse. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Elle craint l'esperon - Celle qu'ainsi fiere voyez (response) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Elle craint l'esperon - Celle qu'ainsi fiere voyez (response) by Guillaume Costeley, Ensemble Clément Janequin, Dominique Visse is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" | Johann Sebastian Bach, The Hilliard Ensemble | A♭ Major | 1 | 4B | 81 BPM | ||
Nisi Dominus, HWV 238: Cum dederit | George Frideric Handel, The Scholars Baroque Ensemble | A♭ Major | 1 | 4B | 121 BPM | ||
J'avois crû qu'en vous aymant | Christophe Ballard, Les Musiciens De Saint-Julien, François Lazarevitch, Annie Dufresne | A♭ Major | 2 | 4B | 83 BPM | ||
Allons au vert boccage | Guillaume Costeley, The Toronto Consort | D♭ Minor | 1 | 12A | 67 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Passamezzo moderno: Recercada tercera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | E Major | 3 | 12B | 126 BPM | ||
All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Deborah Cachet, Zachary Wilder, Lucile Richardot, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys | B♭ Major | 3 | 6B | 103 BPM |
Section: 0.5815770626068115
End: 0.5880672931671143