David Helfgott made "The Tale of Tsar Saltan - Transcribed S. Rachmaninoff (1873-1943): The Flight of the Bumble-Bee" available on January 1, 1996. With The Tale of Tsar Saltan - Transcribed S. Rachmaninoff (1873-1943): The Flight of the Bumble-Bee being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Shine - Original Motion Picture Soundtrack". In this album, this song's track order is #26. The popularity of The Tale of Tsar Saltan - Transcribed S. Rachmaninoff (1873-1943): The Flight of the Bumble-Bee is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Tale of Tsar Saltan - Transcribed S. Rachmaninoff (1873-1943): The Flight of the Bumble-Bee by David Helfgott having a BPM of 183 with a half-time of 92 BPM and a double-time of 366 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Adagio, from Concerto No.3 in D minor, BWV 974 | Alessandro Marcello, Johann Sebastian Bach, James Rhodes | D Minor | 1 | 7A | 111 BPM | ||
Concerto pour piano et orchestre en do majeur, No. 21, KV 467: II. Andante | Budapest Symphony Orchestra, Mara Dobrescu | F Major | 1 | 7B | 179 BPM | ||
24 Caprices for Violin, Op. 1: No. 24 in A minor | Niccolò Paganini, Julia Fischer | F Major | 0 | 7B | 83 BPM | ||
Chanson de matin, Op. 15, No. 2 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | B♭ Major | 1 | 6B | 105 BPM | ||
III. Oxford, Pope's Concert | John Corigliano, Esa-Pekka Salonen | G Major | 2 | 9B | 165 BPM | ||
Nocturne No.20 in C Sharp Minor, Op.Posth. | Frédéric Chopin, Claudio Arrau | D♭ Minor | 0 | 12A | 64 BPM | ||
Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, London Philharmonic Orchestra, Ben Gernon | F♯ Minor | 1 | 11A | 56 BPM | ||
Kashchei the Immortal: Dni byez prosveta | Nikolai Rimsky-Korsakov, Marina Shaguch, Konstantin Pluzhnikov, Mariinsky Orchestra, Valery Gergiev | F Minor | 0 | 4A | 102 BPM | ||
Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. for Chamber Orchestra) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Minor | 0 | 7A | 170 BPM |
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