On January 1, 1974, the song "Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 16, Scene. Allegro agitato" was released by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra. With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 16, Scene. Allegro agitato being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 16, Scene. Allegro agitato is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 16, Scene. Allegro agitato by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Corsaire: Act I - "16. Pas d’Esclave: Variation: Lan’khadam" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | D Major | 1 | 10B | 143 BPM | ||
Nocturne in C Sharp | Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | ||
Lascia Ch' io Pianga | George Frideric Handel, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 173 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 12. Gefahrvolle Augenblicke | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 95 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Sarah Chang, Mariss Jansons, Berliner Philharmoniker | D Major | 3 | 10B | 96 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23e. Pas de quatre: Variation IV (Diamond Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | B♭ Major | 1 | 6B | 100 BPM | ||
Ohlas pisni (Echo of Songs), B. 152 (arr. of Cypresses, B. 11 for string quartet): There Stands an Ancient Rock | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 60 BPM | ||
La Bayadere, Act I, Scene 1: 12. "Finale" | Evergreen Symphony Orchestra, Kevin Galiè | E Minor | 2 | 9A | 132 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation VIII | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 3: 26. Pas de caractère (Red Riding Hood) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | G Minor | 1 | 6A | 97 BPM |
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