"Das Berliner Requiem (1929): 4. Legend of the Unknown Soldier: Moderato assai" by Kurt Weill, Philip Langridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton was released on January 1, 1976. The duration of Das Berliner Requiem (1929): 4. Legend of the Unknown Soldier: Moderato assai is about 3 minutes long, at 3:19. Based on our data, "Das Berliner Requiem (1929): 4. Legend of the Unknown Soldier: Moderato assai" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #18 out of 42 tracks. In terms of popularity, Das Berliner Requiem (1929): 4. Legend of the Unknown Soldier: Moderato assai is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Das Berliner Requiem (1929): 4. Legend of the Unknown Soldier: Moderato assai by Kurt Weill, Philip Langridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Berliner Requiem (1929): 4. Legend of the Unknown Soldier: Moderato assai being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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14 Songs, Op. 34, No. 14. Vocalise: 14 Songs, Op. 34: No. 14, Vocalise (Arr. For theremin and piano) | Sergei Rachmaninoff, Clara Rockmore, Nadia Reisenberg | D♭ Minor | 1 | 12A | 95 BPM | ||
Akhnaten: Hymn to the Sun | Philip Glass, Anthony Roth Costanzo, Jonathan Cohen, Les Violons du Roy | E Minor | 2 | 9A | 68 BPM | ||
Carmen: Prelude - les Toreadors - Habanera - Danse Boheme - Chanson du Toreador | Georges Bizet, tenThing | D Minor | 2 | 7A | 148 BPM | ||
Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM | ||
L’opéra de quat'sous, Act I: Chanson des canons | Kurt Weill, Le Balcon, Maxime Pascal, Benjamin Lavernhe, Birane Ba | D♭ Minor | 4 | 12A | 103 BPM | ||
Verschwiegene Liebe - Voice | Hugo Wolf, Barbra Streisand | D Major | 0 | 10B | 91 BPM | ||
Klezmer Dance No. 2 | Göran Fröst, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 2 | 7A | 87 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
Schubert: Gretchen am Spinnrade, Op. 2, D. 118 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | D Minor | 1 | 7A | 74 BPM | ||
Sleep | Ivor Gurney, Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM |
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