Johann Sebastian Bach, Wilhelm Kempff's 'Prelude & Fugue in F-Sharp Major (Well-Tempered Clavier, Book I, No. 13), BWV 858: Fugue' came out on January 1, 1999. The duration of Prelude & Fugue in F-Sharp Major (Well-Tempered Clavier, Book I, No. 13), BWV 858: Fugue is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Prelude & Fugue in F-Sharp Major (Well-Tempered Clavier, Book I, No. 13), BWV 858: Fugue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 36 in Bach: The Well-tempered Clavier I - Selection by Johann Sebastian Bach, Wilhelm Kempff. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Prelude & Fugue in F-Sharp Major (Well-Tempered Clavier, Book I, No. 13), BWV 858: Fugue is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude & Fugue in F-Sharp Major (Well-Tempered Clavier, Book I, No. 13), BWV 858: Fugue by Johann Sebastian Bach, Wilhelm Kempff is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fugue | Janos Sebestyen, Johann Sebastian Bach | D Minor | 3 | 7A | 88 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Concerto in C Minor for Violin & Oboe, BWV 1060R: 1. Allegro | Johann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | D Major | 1 | 10B | 136 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | ||
Vivaldi: Concerto for Two Cellos in G Minor, RV 531: II. Largo | Antonio Vivaldi, Il Giardino Armonico, Christophe Coin, Paolo Beschi, Giovanni Antonini | G Minor | 0 | 6A | 83 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Johannes-Passion, BWV 245.1: 14. Choral: Petrus, der nicht denkt zurück | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 0 | 5A | 82 BPM |
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