"Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig" by Gustav Mahler, Bavarian Radio Symphony Orchestra, Daniel Harding was released on October 2, 2015. Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Bavarian Radio Symphony Orchestra, Daniel Harding's "Mahler: Symphony No. 6 in A Minor "Tragic"" album is number 1 out of 4. Based on our statistics, Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig by Gustav Mahler, Bavarian Radio Symphony Orchestra, Daniel Harding to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Major | 2 | 3B | 66 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 36: II. Non allegro. Lento | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 0 | 11B | 169 BPM | ||
Symphony in C Minor, EG 119: IV. Finale: Allegro molto vivace | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 86 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Poco adagio | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | E Minor | 1 | 9A | 81 BPM |
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