Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke made "Gräfin Mariza · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Ich bitte, nicht lachen - Komm mit nach Varasdin! (Mariza - Zsupán)" available on 1972. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emmerich Kálmán, Nicolai Gedda, Willy Mattes, Symphonieorchester Graunke's "Kálmán: Gräfin Mariza [1988 Remaster]" album is number 11 out of 38. Gräfin Mariza · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Ich bitte, nicht lachen - Komm mit nach Varasdin! (Mariza - Zsupán) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gräfin Mariza · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Ich bitte, nicht lachen - Komm mit nach Varasdin! (Mariza - Zsupán) by Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
Der Vetter aus Dingsda: Strahlender Mond, der am Himmelszelt thront | Eduard Künneke, Renate Holm, Werner Schmidt-Boelcke | G Major | 2 | 9B | 82 BPM | ||
Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
The Csardas Princess, Act 2: Foolish Life | Emmerich Kálmán, Orchestra Of The State Operetta Theater, Tamás Bródy | D♭ Major | 5 | 3B | 126 BPM | ||
Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Georges Prêtre, Wiener Philharmoniker | F Minor | 7 | 4A | 87 BPM | ||
The Gondoliers / Act 1: 5. Buon' giorno, signorine! | Arthur Sullivan, Meston Reid, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Minor | 1 | 6A | 84 BPM | ||
La Paloma (Mich rief es an Bord) | Rudolf Schock | E♭ Major | 2 | 5B | 86 BPM | ||
Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Carlos Kleiber, Wiener Philharmoniker | F Major | 2 | 7B | 80 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Schönfeld-Marsch, Op. 422 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | D Major | 3 | 10B | 120 BPM |
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