"Etudes, Op.60 - Arr. A. Lagoya: Etude in A, Op.60, No.3" by Matteo Carcassi, Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito was released on January 1, 1995. The duration of Etudes, Op.60 - Arr. A. Lagoya: Etude in A, Op.60, No.3 is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Etudes, Op.60 - Arr. A. Lagoya: Etude in A, Op.60, No.3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 15 in Bizet / Albéniz / Lagoya / Tárrega: Carmen Dances / Asturias / Variations sur "Jeux interdits" by Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Etudes, Op.60 - Arr. A. Lagoya: Etude in A, Op.60, No.3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Etudes, Op.60 - Arr. A. Lagoya: Etude in A, Op.60, No.3 by Matteo Carcassi, Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El choclo (arr. R. Cobo): El Choclo (arr. R. Cobo) | Ricardo Cobo, Angel Gregorio Villoldo | D Major | 1 | 10B | 127 BPM | ||
Danza Brasileira | Jorge Morel, Gerald Garcia | A Minor | 1 | 8A | 86 BPM | ||
Keyboard Sonata No. 42 In D Minor: Andantino (Arr. For Guitar) | Domenico Cimarosa, Boris Björn Bagger | A Major | 5 | 11B | 96 BPM | ||
Studio Op.50 N.1 - Andantino | Mauro Giuliani, Lucio Matarazzo | C Major | 0 | 8B | 106 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
Etudes, Op.60 - Arr. A. Lagoya: Etude in A, Op.60, No.3 | Matteo Carcassi, Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito | A Major | 0 | 11B | 108 BPM | ||
La Alborada, Caprice | Philip Hemmo | D Major | 2 | 10B | 118 BPM | ||
Collectici Íntim: I. la serener | Vicente Asencio, Alberto Mesirca | D Major | 0 | 10B | 114 BPM | ||
The house of the rising sun | Dominique Delmas | E Minor | 2 | 9A | 103 BPM | ||
Sainz de la Maza: El Vito | Regino Sáinz de la Maza, Thibaut García | A Minor | 2 | 8A | 103 BPM |
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