- BPM
- 172
- Key
- F♯ Major
- Camelot
- 2B
Twelve Fantasies for Solo Violin - Rachel Podger Information
- Acousticness
- 98%
- Danceability
- 33%
- Energy
- 3%
- Instrumentalness
- 2%
- Liveness
- 8%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 45%
- Popularity
- 3%
- Loudness
- -18.354 dB
Summary
Rachel Podger made "Twelve Fantasies for Solo Violin" available on December 5, 2006. With this song being about 5 minutes long, at 4:49, "Twelve Fantasies for Solo Violin" by Rachel Podger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Telemann: Twelve Fantasies for Solo Violin". In this album, this song's track order is #2. The popularity of Twelve Fantasies for Solo Violin is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Twelve Fantasies for Solo Violin BPM
With Twelve Fantasies for Solo Violin by Rachel Podger having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Twelve Fantasies for Solo Violin Key
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | |
 | Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | |
 | Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: II. Flatteusement | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | A Major | 1 | 11B | 143 BPM | |
 | Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | |
 | Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | |
 | Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | |
 | Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | |
 | Sonata in F Major, TWV 40:103: I. Dolce | Georg Philipp Telemann, Michala Petri | F Major | 0 | 7B | 80 BPM | |
 | Abdelazar Suite, Z. 570: IV. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6774704456329346
End: 0.6835825443267822