"Albinoni: 6 Sonatas da chiesa, Op. 4: Sonata No. 1 in D Minor, T. So 26: I. Adagio" by Tomaso Albinoni, Alison Balsom, Scottish Ensemble was released on October 18, 2010. The duration of Albinoni: 6 Sonatas da chiesa, Op. 4: Sonata No. 1 in D Minor, T. So 26: I. Adagio is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Albinoni: 6 Sonatas da chiesa, Op. 4: Sonata No. 1 in D Minor, T. So 26: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alison Balsom's "Italian Concertos" album is number 20 out of 24. The popularity of Albinoni: 6 Sonatas da chiesa, Op. 4: Sonata No. 1 in D Minor, T. So 26: I. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albinoni: 6 Sonatas da chiesa, Op. 4: Sonata No. 1 in D Minor, T. So 26: I. Adagio by Tomaso Albinoni, Alison Balsom, Scottish Ensemble to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo (Allegretto) - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 118 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Concerto for Oboe and String Orchestra in C Major, Op. 7 No. 12: III. Allegro | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Linda di Carlo | C Major | 2 | 8B | 114 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 1 | 6A | 173 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM |
Section: 0.7294418811798096
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