"Requiem in D Minor, K. 626: I. Introitus - Requiem aeternam & II. Kyrie" by Wolfgang Amadeus Mozart, Gliarchiensemble was released on April 20, 2018. Since Requiem in D Minor, K. 626: I. Introitus - Requiem aeternam & II. Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Requiem, K. 626 (Quartet Transcription by Peter Lichtenthal, Arr. for String Ensemble)". In this album, this song's track order is #1. In terms of popularity, Requiem in D Minor, K. 626: I. Introitus - Requiem aeternam & II. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem in D Minor, K. 626: I. Introitus - Requiem aeternam & II. Kyrie by Wolfgang Amadeus Mozart, Gliarchiensemble having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
The Snowstorm: VIII. Echoes of waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | D Major | 0 | 10B | 64 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | G Major | 0 | 9B | 78 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker | E♭ Major | 2 | 5B | 77 BPM | ||
Der Stein der Weisen, Act I: Overture | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman | D♭ Major | 1 | 3B | 90 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM |
Section: 0.6274714469909668
End: 0.632174015045166