"Requiem (Version for Choir, Cello, Percussion & Organ): IV. Pie Jesu" by Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Rob Johnston was released on March 20, 2020. The duration of Requiem (Version for Choir, Cello, Percussion & Organ): IV. Pie Jesu is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Requiem (Version for Choir, Cello, Percussion & Organ): IV. Pie Jesu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Rob Johnston's "Matthew Coleridge: Requiem" album is number 4 out of 7. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem (Version for Choir, Cello, Percussion & Organ): IV. Pie Jesu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem (Version for Choir, Cello, Percussion & Organ): IV. Pie Jesu by Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Rob Johnston to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lay All Heaven | LeoRoads | B♭ Minor | 2 | 3A | 173 BPM | ||
Ur drömliv I (Arr. for Vocal Ensemble) | Elfrida Andrée, Singer Pur | A Major | 0 | 11B | 65 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The Lord shall reign for ever and ever I (Chorus) - Recitative: For the horse of Pharaoh went in (Tenor) - The Lord shall reign for ever and ever II (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM | ||
Requiem: XII. In Paradisum | François Dompierre, Ensemble ArtChoral, Orchestre Filmharmonique, Myriam Leblanc, Francis Choinière | G Minor | 2 | 6A | 90 BPM | ||
Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM | ||
The Writings: No. 2, If I Am Silent (After the Book of Esther) | David Lang, Cappella Amsterdam, Daniel Reuss | C Minor | 2 | 5A | 68 BPM | ||
Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Klava | G Major | 1 | 9B | 78 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM |
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