Rinaldo / Act 2: Recitativo: Crudel, tu ch'involasti
George Frideric Handel, Luba Orgonasova, David Daniels, Academy of Ancient Music, Christopher Hogwood
Handel: Rinaldo (Original 1711 Version)
1:25 October 16, 2000
BPM
130
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Rinaldo / Act 2: Recitativo: Crudel, tu ch'involasti - George Frideric Handel, Luba Orgonasova, David Daniels, Academy of Ancient Music, Christopher Hogwood Information

Acousticness
85%
Danceability
53%
Energy
15%
Instrumentalness
48%
Liveness
15%
Loudness
67%
Speechiness
4%
Valence
53%
Popularity
Loudness
-19.794 dB

Summary

George Frideric Handel, Luba Orgonasova, David Daniels, Academy of Ancient Music, Christopher Hogwood made "Rinaldo / Act 2: Recitativo: Crudel, tu ch'involasti" available on October 16, 2000. With Rinaldo / Act 2: Recitativo: Crudel, tu ch'involasti being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 18 out of 82. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rinaldo / Act 2: Recitativo: Crudel, tu ch'involasti's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Rinaldo / Act 2: Recitativo: Crudel, tu ch'involasti BPM

We consider the tempo marking of Rinaldo / Act 2: Recitativo: Crudel, tu ch'involasti by George Frideric Handel, Luba Orgonasova, David Daniels, Academy of Ancient Music, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Rinaldo / Act 2: Recitativo: Crudel, tu ch'involasti Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace by Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In F Major, Op. 6, No. 9: III. Corrente: VivaceArcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella IstropolitanaF Major27B198 BPM
Concerto for Oboe d'amore, Strings and B.c. Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Allegro ("Tornami a vagheggiar" from Opera 'Alcina', HWV 34)George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika RazynskaA Major211B103 BPM
Concerto for Flute, English Horn, Strings and B.c. Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": 3. Largo ("Softly Sweet in Lydian Measures" From Oratorio 'Alexander's Feast', HWV 75)George Frideric Handel, Albrecht Mayer, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska, Sinfonia VarsoviaA Major411B111 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] by Carl Philipp Emanuel Bach, Giovanni MazzocchinNotebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]Carl Philipp Emanuel Bach, Giovanni MazzocchinE♭ Major15B113 BPM
Sinfonia in A Major: I. Presto by Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav KrcekSinfonia in A Major: I. PrestoGiovanni Battista Sammartini, Capella Istropolitana, Jaroslav KrcekA Major311B117 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux by Christoph Willibald Gluck, Wilhelm KempffOrfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureuxChristoph Willibald Gluck, Wilhelm KempffF Major07B73 BPM
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann)George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika RazynskaB♭ Major26B143 BPM
Concerto Grosso in D Minor, H. 143 Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VIIFrancesco Geminiani, Nicola Benedetti, Benedetti Baroque OrchestraD♭ Minor312A147 BPM
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo by Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella IstropolitanaConcerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante LargoArcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella IstropolitanaF Major17B168 BPM
ISRC
GBBBB2000047
Label
L-M Records/RCA Records

Section: 0.6464087963104248

End: 0.6506223678588867