Für Anna Maria - Arvo Pärt, Richard Uttley Information

Acousticness
99%
Danceability
41%
Energy
5%
Instrumentalness
92%
Liveness
9%
Loudness
43%
Speechiness
5%
Valence
61%
Popularity
Loudness
-33.927 dB

Summary

Arvo Pärt, Richard Uttley made "Für Anna Maria" available on July 9, 2020. With Für Anna Maria being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Piano Exam Pieces 2021 & 2022, ABRSM Grade 4". In this album, this song's track order is #27. In terms of popularity, Für Anna Maria is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Für Anna Maria BPM

With Für Anna Maria by Arvo Pärt, Richard Uttley having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Für Anna Maria Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
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Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": Theme (Andante)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Minor06A113 BPM
Sueno Recurrente by Angélica Negrón, Lara DownesSueno RecurrenteAngélica Negrón, Lara DownesE♭ Major05B83 BPM
For Children Vol. 1, Sz. 42: No. 3 Quasi adagio by Béla Bartók, Lars VogtFor Children Vol. 1, Sz. 42: No. 3 Quasi adagioBéla Bartók, Lars VogtE Minor09A62 BPM
Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Te ergo quaesumus by Arvo Pärt, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun ChungTe Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Te ergo quaesumusArvo Pärt, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun ChungG Major09B72 BPM
Faust / Episode 2: Nachspiel by Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon HalseyFaust / Episode 2: NachspielKarsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon HalseyC Major08B81 BPM
Barber: Adagio for Strings by Samuel Barber, Sir Simon Rattle, Berliner PhilharmonikerBarber: Adagio for StringsSamuel Barber, Sir Simon Rattle, Berliner PhilharmonikerB♭ Minor13A73 BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point"Ralph Vaughan Williams, Gerald Peregrine, Antony InghamE♭ Major05B90 BPM
Como cierva sedienta: IV by Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena OlssonComo cierva sedienta: IVArvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena OlssonC Minor25A74 BPM
Dido and Aeneas, Z. 626 / Act III: Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu HerzogG Minor16A77 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5263087749481201

End: 0.5303051471710205