Arvo Pärt, Richard Uttley made "Für Anna Maria" available on July 9, 2020. With Für Anna Maria being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Piano Exam Pieces 2021 & 2022, ABRSM Grade 4". In this album, this song's track order is #27. In terms of popularity, Für Anna Maria is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Für Anna Maria by Arvo Pärt, Richard Uttley having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fall of the Leaf: I. Theme. Andante | Imogen Holst, Thomas Hewitt Jones | A Major | 0 | 11B | 57 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Sueno Recurrente | Angélica Negrón, Lara Downes | E♭ Major | 0 | 5B | 83 BPM | ||
For Children Vol. 1, Sz. 42: No. 3 Quasi adagio | Béla Bartók, Lars Vogt | E Minor | 0 | 9A | 62 BPM | ||
Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Te ergo quaesumus | Arvo Pärt, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | G Major | 0 | 9B | 72 BPM | ||
Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM | ||
Barber: Adagio for Strings | Samuel Barber, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 73 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Como cierva sedienta: IV | Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena Olsson | C Minor | 2 | 5A | 74 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM |
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