"Lagrime di San Pietro (Tears of San Pietro): 6a parte - Cosi tal'hor" by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter was released on January 1, 2003. With Lagrime di San Pietro (Tears of San Pietro): 6a parte - Cosi tal'hor being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Orlande de Lassus, Hofkapelle Ensemble, Michael Procter's "Lassus, O.: Lagrime Di San Pietro / Melancholia" album is number 6 out of 34. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Lagrime di San Pietro (Tears of San Pietro): 6a parte - Cosi tal'hor's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime di San Pietro (Tears of San Pietro): 6a parte - Cosi tal'hor by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 6, The Inexpressible Miracle | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 0 | 4B | 77 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Altera, Christopher Lowrey | C Minor | 0 | 5A | 70 BPM | ||
To Thee We Sing - S.Rachmaninoff Version | Kiev Chamber Choir | E♭ Major | 1 | 5B | 132 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Miserere Mei (feat. Orlando Di Lasso) | The Schola Cantorum of St. John XXIII Parish, Orlande de Lassus | G Major | 1 | 9B | 135 BPM | ||
Jesu dulcis memoria | Tomás Luis de Victoria, Voices of Ascension Chorus, Dennis Keene | A Minor | 1 | 8A | 52 BPM | ||
Patrocinium musices, prima pars: Media vita in morte sumus | Orlande de Lassus, Daniel Reuss, Cappella Amsterdam | E♭ Minor | 2 | 2A | 138 BPM |
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