Leonard Bernstein, Stephen Sondheim, Chita Rivera, Marilyn Cooper, Max Goberman made "America (from "West Side Story")" available on 1957. With this song being about 5 minutes long, at 4:33, "America (from "West Side Story")" by Leonard Bernstein, Stephen Sondheim, Chita Rivera, Marilyn Cooper, Max Goberman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Chita Rivera's "Legends of Broadway: Chita Rivera" album is number 1 out of 16. America (from "West Side Story") is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of America (from "West Side Story") by Leonard Bernstein, Stephen Sondheim, Chita Rivera, Marilyn Cooper, Max Goberman to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 47: I. Moderato | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | A Minor | 2 | 8A | 85 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Hamlet Fantasy Overture, Op. 67, TH 53 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 74 BPM | ||
Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM | ||
Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 108 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
Three Dance Episodes (From "On the Town"): II. Lonely Town: Pas de Deux | Leonard Bernstein | D Major | 1 | 10B | 134 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 117 BPM |
Section: 0.7813594341278076
End: 0.7921998500823975