"Verdi: La traviata, Act 1: "Ah fors'e lui" (Violetta)" by Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI was released on September 22, 2014. The duration of Verdi: La traviata, Act 1: "Ah fors'e lui" (Violetta) is about 3 minutes long, at 3:07. Based on our data, "Verdi: La traviata, Act 1: "Ah fors'e lui" (Violetta)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Pure - Maria Callas". In this album, this song's track order is #5. The popularity of Verdi: La traviata, Act 1: "Ah fors'e lui" (Violetta) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Verdi: La traviata, Act 1: "Ah fors'e lui" (Violetta) by Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Requiem, IGV 24: VIIb. Dies irae | Giuseppe Verdi, Antonio Pappano, Anja Harteros, Sonia Ganassi, Rolando Villazón, René Pape, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 3 | 8B | 119 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
Rossini: Il Barbiere di Siviglia: La ran la le ra la ran la la ... Largo al factotum ... (Figaro) - 1996 Remaster | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 4 | 8B | 75 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | E Major | 2 | 12B | 83 BPM | ||
Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM |
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