Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise, Laura Holm, Marthe Davost made "David & Jonathas, H. 490, Act I Scene 1: Cédons ; rien ne peut se défendre (Deux Captifs)" available on June 9, 2023. With David & Jonathas, H. 490, Act I Scene 1: Cédons ; rien ne peut se défendre (Deux Captifs) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 50 in Charpentier: David & Jonathas by Marc-Antoine Charpentier, Reinoud Van Mechelen, Caroline Arnaud, Gaétan Jarry, Marguerite Louise. In terms of popularity, David & Jonathas, H. 490, Act I Scene 1: Cédons ; rien ne peut se défendre (Deux Captifs) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of David & Jonathas, H. 490, Act I Scene 1: Cédons ; rien ne peut se défendre (Deux Captifs) by Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise, Laura Holm, Marthe Davost is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
David et Jonathas, H. 490, Acte I Scène 1: Jeune et terrible dans la guerre (troupes de guerriers, de pasteurs et de captifs) | Marc-Antoine Charpentier, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Beatus vir: II. Exortum est | Domenico Zipoli, Florilegium, Bolivian Soloists | D♭ Minor | 0 | 12A | 135 BPM |
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