"Violin Partita No. 3 in E Major, BWV 1006: VI. Bourrée (Arr. for Mandolin by Alon Sariel)" by Johann Sebastian Bach, Alon Sariel was released on March 29, 2024. With Violin Partita No. 3 in E Major, BWV 1006: VI. Bourrée (Arr. for Mandolin by Alon Sariel) being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in J.S. Bach: Violin Partita No. 3 in E Major, BWV 1006: VI. Bourrée and no other songs are present in the album, we classify this track as a single. On top of that, Netherlands appears to be the country where this track was created. Violin Partita No. 3 in E Major, BWV 1006: VI. Bourrée (Arr. for Mandolin by Alon Sariel) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Partita No. 3 in E Major, BWV 1006: VI. Bourrée (Arr. for Mandolin by Alon Sariel) by Johann Sebastian Bach, Alon Sariel to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet, BWV Anh. 132 | Johann Sebastian Bach, Gottfried Heinrich Stölzel, Georg Philipp Telemann, Carl Philipp Emanuel Bach, Christian Petzold, Anonymous, Stefano Cardi | A Major | 2 | 11B | 103 BPM | ||
Mandolin Partita: VI. Gigue | Alon Sariel | A Minor | 4 | 8A | 81 BPM | ||
Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
Concert pour piano, violon et quatuor à cordes en Ré Majeur, Op. 21: II. Sicilienne | Ernest Chausson, Gabriel Le Magadure, Frank Braley, Quatuor Agate | F Major | 2 | 7B | 103 BPM | ||
Leone Suite, for cello and piano: No. 1, Deborah’s theme | Ennio Morricone, Luca Pincini, Gilda Buttà | G Major | 1 | 9B | 134 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro | Johann Sebastian Bach, Frank Theuns, Sophie Gent, Bertrand Cuiller, Les Muffatti | D♭ Major | 4 | 3B | 124 BPM | ||
Chaconne | Dorota Szczepańska, Alon Sariel, Peter Schwebs | D Minor | 1 | 7A | 80 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Kitsch-Musik: I. Allegro vivace | Valentin Silvestrov, Alena Cherny | F Minor | 0 | 4A | 66 BPM | ||
Saxophone Quartet B Major, Op. 109: III. Finale, Allegro Moderato | Alexander Glazunov, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM |
Section: 0.6175737380981445
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