Flight, Concerto for Violin & Strings: III - Oliver Davis, Kerenza Peacock, London Symphony Orchestra, Paul Bateman Information

Acousticness: 96%
Danceability: 78%
Energy: 21%
Instrumentalness: 80%
Liveness: 10%
Loudness: 61%
Speechiness: 7%
Valence: 73%
Popularity: 10%
Loudness: -23.168 dB

Summary

Oliver Davis, Kerenza Peacock, London Symphony Orchestra, Paul Bateman made "Flight, Concerto for Violin & Strings: III" available on March 3, 2015. The duration of Flight, Concerto for Violin & Strings: III is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Flight, Concerto for Violin & Strings: III's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Oliver Davis: Flight". In this album, this song's track order is #3. Based on our statistics, Flight, Concerto for Violin & Strings: III's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Flight, Concerto for Violin & Strings: III BPM

With Flight, Concerto for Violin & Strings: III by Oliver Davis, Kerenza Peacock, London Symphony Orchestra, Paul Bateman having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Flight, Concerto for Violin & Strings: III Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante)	Edward Elgar, London Symphony Orchestra, Sir Adrian Boult	G Minor	1	6A	178 BPM
A Wild And Distant Shore	Michael Nyman	A Minor	2	8A	95 BPM
Gershwin: Fascinatin' Rhythm	George Gershwin, Barbara Hendricks, Ed Thigpen, Geoffrey Keezer, Guildhall String Ensemble, Ira Coleman, Paul Bateman	D Major	2	10B	104 BPM
Variations on a Theme by Tchaikovsky, Op. 35a: Theme. Moderato	Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov	E Minor	2	9A	54 BPM
Symphony No. 2 "Under the Trees' Voices": III. Scherzo, Pines and Flowers - Live	Ezio Bosso, Orchestra Filarmonica '900 del teatro Regio di Torino	A♭ Major	8	4B	115 BPM
Monnot / Piaf : Hymne à l'amour	Marguerite Monnot, José Carreras, Paul Bateman, Wiener Symphoniker	A Major	3	11B	140 BPM
Asyla, Op. 17: III. Ecstasio	Thomas Adès, London Symphony Orchestra	G Major	3	9B	130 BPM
Wood Notes: III. Moon Dusk: Slowly and expressively	William Grant Still, Fort Smith Symphony, John Jeter	E Minor	0	9A	113 BPM
An der schönen blauen Donau, Walzer, Op. 314	Johann Strauss II, Andris Nelsons, Wiener Philharmoniker	D Major	1	10B	200 BPM
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp)	Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis	G Major	0	9B	60 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6593568325042725

End: 0.6646265983581543