"Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): V. Asturiana" by Manuel de Falla, Rohan De Saram, Junko Yamamoto was released on May 1, 2020. The duration of Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): V. Asturiana is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): V. Asturiana's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Requiebros". In this album, this song's track order is #7. Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): V. Asturiana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): V. Asturiana by Manuel de Falla, Rohan De Saram, Junko Yamamoto having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 90 BPM | ||
7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana | Manuel de Falla, David Desimpelaere, Erik Desimpelaere | A Major | 0 | 11B | 76 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Danza del Molinero | Manuel de Falla, Gianluca Allocca, Lucio Matarazzo, Giovanna Siciliano Iengo, Gianvito Pulzone | A Minor | 2 | 8A | 170 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Chopin: Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 | Frédéric Chopin, Alexandre Tharaud | D♭ Minor | 1 | 12A | 128 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM |
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