"Verleih uns Frieden gnädiglich" by Heinrich Schütz, Deutscher Jugendkammerchor, Robert Göstl was released on 2012. The duration of Verleih uns Frieden gnädiglich is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Verleih uns Frieden gnädiglich's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Deutscher Jugendkammerchor's "Great God of Love. Geistliche und weltliche Meisterwerke der Chormusik aus vier Jahrhunderten" album is number 5 out of 20. Verleih uns Frieden gnädiglich is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Verleih uns Frieden gnädiglich by Heinrich Schütz, Deutscher Jugendkammerchor, Robert Göstl to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Lagrime di San Pietro: I. Il magnanimo Pietro | Orlande de Lassus, Gallicantus, Gabriel Crouch | A Minor | 1 | 8A | 72 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: II. Da der Sabbath vergangen war | Heinrich Schütz, Marie Luise Werneburg, Georg Poplutz, Tobias Mäthger, Oliver Kaden, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, The Sirius Viols, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 3 | 10A | 110 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Auferstehungshistorie, SWV 50: (Drei Weiber oder Marien) Wer wälzet uns den Stein | Heinrich Schütz, Ensemble Polyharmonique | A Major | 1 | 11B | 81 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Geistliche Chormusik, Op. 11: 10. Die mit Tränen säen werden mit Freuden ernten, SWV 378 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Dresdner Barockorchester, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 66 BPM |
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