"La Belle et la Bête - Arr. for Piano duet: III. Le dîner" by Philip Glass, Katia Labèque, Marielle Labèque was released on February 23, 2024. The duration of La Belle et la Bête - Arr. for Piano duet: III. Le dîner is about 3 minutes long, at 3:08. Based on our data, "La Belle et la Bête - Arr. for Piano duet: III. Le dîner" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Philip Glass, Katia Labèque, Marielle Labèque's "Glass: Cocteau Trilogy" album is number 13 out of 30. On top of that, Italy appears to be the country where this track was created. In terms of popularity, La Belle et la Bête - Arr. for Piano duet: III. Le dîner is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Belle et la Bête - Arr. for Piano duet: III. Le dîner by Philip Glass, Katia Labèque, Marielle Labèque to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes, Op. 23: No. 4, in D Major - Welte-Mignon 1567 | Sergei Rachmaninoff, Jacques Pintel, Peter Phillips | D Major | 0 | 10B | 67 BPM | ||
Concert pour piano, violon et quatuor à cordes en Ré Majeur, Op. 21: II. Sicilienne | Ernest Chausson, Gabriel Le Magadure, Frank Braley, Quatuor Agate | F Major | 2 | 7B | 103 BPM | ||
Mazurek | Władysław Szpilman, Yulianna Avdeeva | B Minor | 1 | 10A | 83 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 3 | 6B | 108 BPM | ||
No. 6. Sonetto 123 del Petrarca | Franz Liszt, Nelson Goerner | A♭ Major | 0 | 4B | 131 BPM | ||
Stimmungsbilder, Op. 9: No. 4, Reverie (Träumerei) - Welte-Mignon 1189 | Richard Strauss, Peter Phillips | B Major | 0 | 1B | 128 BPM | ||
Liszt: Réminiscences de Don Juan, S. 656: V. Variation | Franz Liszt, Katia Labèque, Marielle Labèque | A Major | 1 | 11B | 91 BPM | ||
Dawning Sea | Marco Risolino, Ludovico Leone | E Minor | 0 | 9A | 68 BPM | ||
8 Slavonic Dances, Op. 72, B.147 - For Piano Duet: No. 5 in B Flat Minor (Poco adagio) | Antonín Dvořák, Katia Labèque, Marielle Labèque | F♯ Major | 2 | 2B | 87 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM |
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