"Daphnis et Chloé, Part III: Le vieux berger Lammon explique...Daphnis et Chloé miment..." by Simon Halsey, City Of Birmingham Symphony Orchestra, CBSO Chorus, Sir Simon Rattle was released on 1992. Since Daphnis et Chloé, Part III: Le vieux berger Lammon explique...Daphnis et Chloé miment... is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé - Boléro". In this album, this song's track order is #12. Daphnis et Chloé, Part III: Le vieux berger Lammon explique...Daphnis et Chloé miment... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, Part III: Le vieux berger Lammon explique...Daphnis et Chloé miment... by Simon Halsey, City Of Birmingham Symphony Orchestra, CBSO Chorus, Sir Simon Rattle having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni, Lumen Cordium | Margaret Rizza | F Minor | 1 | 4A | 75 BPM | ||
An Irish Blessing | Irish folk tune, Trad., Carl Høgset, Grex Vocalis | B♭ Major | 1 | 6B | 74 BPM | ||
3 Folksong Arrangements: No. 3, Oliver Cromwell - Arr. for Men´s Choir and Piano | Benjamin Britten, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Tobias Schweda | C Major | 3 | 8B | 141 BPM | ||
Méditation De Thaïs (Massenet) | Angele Dubeau, Ensemble Amati, Raymond Dessaints | E Minor | 1 | 9A | 111 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
5 Pforten einer Reise in das Innere der Angst: No. 5, Ab | Christian Jost, Rundfunkchor Berlin, Ensemble Musikfabrik, Simon Halsey | B♭ Major | 1 | 6B | 79 BPM | ||
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | E♭ Major | 2 | 5B | 86 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Prelude from 'Te Deum', H.146 | Marc-Antoine Charpentier, Tine Thing Helseth, Kåre Nordstoga | D Major | 2 | 10B | 80 BPM |
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