"Méditation De Thaïs (Massenet)" by Angele Dubeau, Ensemble Amati, Raymond Dessaints was released on 1994. With this song being about 5 minutes long, at 4:45, "Méditation De Thaïs (Massenet)" by Angele Dubeau, Ensemble Amati, Raymond Dessaints is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Angele Dubeau, Ensemble Amati, Raymond Dessaints's "La Ronde Des Berceuses" album is number 7 out of 13. In terms of popularity, Méditation De Thaïs (Massenet) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Méditation De Thaïs (Massenet) by Angele Dubeau, Ensemble Amati, Raymond Dessaints to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
E Lucevan Le Stelle - Instrumental | Mělník Philharmonic Orchestra | B♭ Minor | 2 | 3A | 86 BPM | ||
Chen / Orch. Ducros: You and Me | Qigang Chen, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | E♭ Major | 1 | 5B | 126 BPM | ||
Suite antique (Version for Guitar) [Excerpts]: I. Prélude | John Rutter, Graham Anthony Devine | A Minor | 0 | 8A | 119 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Renato Cellini | F Major | 2 | 7B | 75 BPM | ||
Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
The Rose II | Ola Gjeilo, 12 Ensemble, Max Ruisi | D Minor | 2 | 7A | 55 BPM | ||
Gaîté parisienne: No. 23: Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 101 BPM | ||
Truth, And Then There Were Teardrops | Amy Dickson | B♭ Minor | 1 | 3A | 63 BPM | ||
La Rêve | Christian Desire Langlade, Saint-Preux | D Major | 1 | 10B | 180 BPM |
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