"Avant-dernières pensées: 2. Aubade, à Paul Dukas" by Erik Satie, Jean-Marc Luisada, Jeanne Moreau was released on January 1, 1994. The duration of Avant-dernières pensées: 2. Aubade, à Paul Dukas is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Avant-dernières pensées: 2. Aubade, à Paul Dukas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Satie: Piano Works / Poulenc: L'Histoire de Babar". In this album, this song's track order is #34. Furthermore, we believe that the track originated from Germany. Avant-dernières pensées: 2. Aubade, à Paul Dukas is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Avant-dernières pensées: 2. Aubade, à Paul Dukas by Erik Satie, Jean-Marc Luisada, Jeanne Moreau having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
Nocturnal Waltz | Johannes Bornlöf | D♭ Minor | 1 | 12A | 166 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
12 Pieces for Children: No. 6, My Darling and Marjan (Variation) | Komitas, Mikael Ayrapetyan | E Major | 0 | 12B | 125 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 1 | 9B | 137 BPM | ||
Zoetrope | Joep Beving | D Minor | 0 | 7A | 134 BPM |
Section: 0.6857852935791016
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