"Sonata No. 10 a cinque in G minor" by Heinrich Ignaz Franz von Biber, Freiburger Barockorchester was released on 1990. Sonata No. 10 a cinque in G minor is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 8 out of 183 in Freiburger Barockorchester-Edition by Freiburger Barockorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sonata No. 10 a cinque in G minor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 10 a cinque in G minor by Heinrich Ignaz Franz von Biber, Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonie et gagliarde, Libro 1: Sinfonia 11 "in Eco" | Salomone Rossi, Dorothee Oberlinger, Dmitry Sinkovsky | D Minor | 0 | 7A | 127 BPM | ||
Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: I. Sinfonia | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 126 BPM | ||
Concerto a 8 concertanti in G Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Allegro (1) | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | D♭ Major | 3 | 3B | 113 BPM | ||
Missa Salisburgensis: I. Kyrie | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 78 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Le nymphe di Rheno, Op. 8: Suite in G Minor: II. Allegro - Adagio | Johannes Schenck, Lorenz Duftschmid, Sophie Watillon, Rolf Lislevand, Wolfgang Zerer | F♯ Minor | 1 | 11A | 74 BPM |
Section: 0.8241662979125977
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