"Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Ange adoré" (Faust, Marguerite)" by Hector Berlioz, John Nelson, Joyce DiDonato, Michael Spyres, Orchestre Philharmonique De Strasbourg was released on November 22, 2019. With this song being about 5 minutes long, at 5:09, "Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Ange adoré" (Faust, Marguerite)" by Hector Berlioz, John Nelson, Joyce DiDonato, Michael Spyres, Orchestre Philharmonique De Strasbourg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 32 out of 45 in Berlioz: La Damnation de Faust by Hector Berlioz, John Nelson, Orchestre Philharmonique De Strasbourg. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Ange adoré" (Faust, Marguerite) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Ange adoré" (Faust, Marguerite) by Hector Berlioz, John Nelson, Joyce DiDonato, Michael Spyres, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Lelio ou le retour à la vie, Op. 14b, H.55: 4. Chant de bonheur | Hector Berlioz, Lambert Wilson, Gordon Gietz, Jennifer Schwartz, Orchestre Symphonique de Montréal, Charles Dutoit | A Major | 0 | 11B | 78 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Wie zu Anfang | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 1 | 5B | 82 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM |
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