Arnold Schoenberg, Rolf Schulte, Richard O'Neill, Fred Sherry made "String Trio, Op. 45: Part I -" available on March 30, 2010. With String Trio, Op. 45: Part I - being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Schoenberg: String Trio - 4 Pieces for Mixed Chorus - 3 Satires - Suite". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. String Trio, Op. 45: Part I - is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With String Trio, Op. 45: Part I - by Arnold Schoenberg, Rolf Schulte, Richard O'Neill, Fred Sherry having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Cello Sonata in F Major, Op.6: II. Andante ma non troppo | Richard Strauss, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 171 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
String Trio, Op. 45: Part II | Arnold Schoenberg, Walter Levin, Peter Kamnitzer, Lee Fiser | E Minor | 1 | 9A | 129 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) | Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 0 | 11B | 69 BPM |
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