Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 10 Fughetta. a 1 Clav. - Live at Thomaskirche Leipzig / 2020" available on February 12, 2021. With Goldberg Variations, BWV 988: Variatio 10 Fughetta. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. Goldberg Variations, BWV 988: Variatio 10 Fughetta. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Goldberg Variations, BWV 988: Variatio 10 Fughetta. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Monferrinas, Op. 49: VIII. Vivace assai | Muzio Clementi, Howard Shelley | B♭ Major | 2 | 6B | 103 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | ||
Harpsichord Suite Set I No. 2 in F Major, HWV 427: 2. Allegro | George Frideric Handel, Keith Jarrett | C Major | 3 | 8B | 100 BPM | ||
Symphony No. 6 in F Major, Op. 2, "Solomon": I. Largo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 103 BPM | ||
Musical Characteristics, Op. 19: XI. Prelude 1 alla Clementi | Muzio Clementi, Howard Shelley | B♭ Major | 1 | 6B | 132 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Italian Concerto in F Major, BWV 971: III. Presto | Glenn Gould | F Major | 6 | 7B | 142 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | ||
Der Himmel lacht! Die Erde jubilieret, BWV 31: Recitative: Weil dann das Haupt sein Glied (Soprano) | Johann Sebastian Bach, Gillian Keith, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 68 BPM | ||
Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach | Johann Sebastian Bach, Werner Güra, Johannes Weisser, Johannes Schendel, Akademie für Alte Musik Berlin, René Jacobs | E Major | 2 | 12B | 93 BPM |
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