"Egipetskiye nochi (Egyptian Nights), Op. 50: No. 7: Danse des egyptiennes" by Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky was released on May 26, 1997. With Egipetskiye nochi (Egyptian Nights), Op. 50: No. 7: Danse des egyptiennes being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 15 in Arensky: Egyptian Nights by Anton Arensky. Egipetskiye nochi (Egyptian Nights), Op. 50: No. 7: Danse des egyptiennes is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Egipetskiye nochi (Egyptian Nights), Op. 50: No. 7: Danse des egyptiennes by Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
2 Pieces, Op. 12: No. 1. Petite ballade | Anton Arensky, Natalia Savinova, Victor Yampolsky | E Minor | 1 | 9A | 127 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
Piano Concerto in A Minor, Op. 7: Allegro maestoso | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | A Minor | 1 | 8A | 103 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio | Anton Arensky, Munich Piano Trio, Adrian Lazar, Gerhard Zank, Hermann Lechler | F Major | 1 | 7B | 94 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Piano Sonata No. 2 In B Flat Minor, Op. 35: 1. Grave - Doppio movimento | Frédéric Chopin, Maurizio Pollini | A♭ Major | 1 | 4B | 136 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 85 BPM |
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