Marcin Błażewicz, Klaudiusz Baran, Polish Radio Symphony Orchestra, Michał Klauza's 'Accordion Concerto: III. Allegro con fuoco' came out on November 11, 2022. Since Accordion Concerto: III. Allegro con fuoco is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Polish Accordion Concertos". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Accordion Concerto: III. Allegro con fuoco's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Accordion Concerto: III. Allegro con fuoco by Marcin Błażewicz, Klaudiusz Baran, Polish Radio Symphony Orchestra, Michał Klauza having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | B♭ Major | 1 | 6B | 85 BPM | ||
Nascent Requiem | Masashi Hamauzu | G Minor | 6 | 6A | 145 BPM | ||
Florian, Pt. 4 | Lofi Mars | F Minor | 1 | 4A | 60 BPM | ||
This Too Shall Pass | Raminta Šerkšnyte, Gidon Kremer, Magdalena Ceple, Andrei Pushkarev, Kremerata Baltica | A Minor | 1 | 8A | 88 BPM | ||
Cello Concerto in E Minor: II. Andante sostenuto | Aram Khachaturian, Dmitry Yablonsky, The Moscow City Symphony Orchestra "Russian Philharmonic", Maxim Fedotov | G Major | 1 | 9B | 96 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Spartacus: Variation of Aegina and Bacchanal (Arr. for 4 Saxophones and Piano) | Aram Khachaturian, Alliage Quintett | E Major | 2 | 12B | 78 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Postlude | Leonard Bernstein, Orchestre Symphonique de Montréal, Kent Nagano | E Minor | 0 | 9A | 86 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: III. Allegramente | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | G Major | 3 | 9B | 89 BPM | ||
1. El Bosque de los Alebrijes. Cabeza | D-Bastian | D Major | 3 | 10B | 100 BPM |
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