"Symphony No. 2: III. Scherzo alla jazz. Allegro assai" by Erwin Schulhoff, Tschechische Philharmonie, Gerd Albrecht was released on January 1, 2016. The duration of Symphony No. 2: III. Scherzo alla jazz. Allegro assai is about 3 minutes long, at 3:13. Based on our data, "Symphony No. 2: III. Scherzo alla jazz. Allegro assai" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Schulhuff, Haas, Klein & Ullmann: Orchestral Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Symphony No. 2: III. Scherzo alla jazz. Allegro assai is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2: III. Scherzo alla jazz. Allegro assai by Erwin Schulhoff, Tschechische Philharmonie, Gerd Albrecht having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto for flute & piano with string orchestra & 2 horns: 3. Rondo, allegro con spirito - Tempo di Blues | Erwin Schulhoff, Aleksandar Madzar, Bettina Wild, Deutsche Kammerphilharmonie Bremen, Andreas Delfs | B♭ Major | 3 | 6B | 75 BPM | ||
Concertino for Flute (Piccolo), Viola and Double Bass: II. Furiant. Allegro furioso | Erwin Schulhoff, Ensemble Villa Musica | E Minor | 0 | 9A | 67 BPM | ||
Three Bagatelles: No. 2, Divertimenti in Carnival Serenade | Soeui Lee, Pacific Quintet | F Minor | 4 | 4A | 115 BPM | ||
Abbey Road concerto for Violin and Orchestra: IX. I Want you | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 10, Waltz | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | D♭ Major | 4 | 3B | 81 BPM | ||
The Closed Courtyard | Aigars Raumanis, Trio NYX | C Minor | 1 | 5A | 122 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Romanian Folk Dances, Sz. 68: No. 3, Pe loc | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation VIII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 95 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM |
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