"Doña Francisquita, Act I: Siempre Es el Amor (Francisquita, Fernando, Cardona)" by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Alfredo Kraus, Santiago Jerico was released on January 1, 1994. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 20 in Doña Francisquita by Amadeo Vives, Maria Bayo, Alfredo Kraus, Raquel Pierotti, Antoni Ros Marbá, Orquesta Sinfonica De Tenerife. Doña Francisquita, Act I: Siempre Es el Amor (Francisquita, Fernando, Cardona) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Doña Francisquita, Act I: Siempre Es el Amor (Francisquita, Fernando, Cardona) by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Alfredo Kraus, Santiago Jerico is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cofradia de la Bulla | Amadeo Vivos, Amadeo Vives | G Major | 5 | 9B | 174 BPM | ||
Pheasants' Chorus (I Pagliacci) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | C Major | 1 | 8B | 117 BPM | ||
Sento nel core | Tito Schipa | G Minor | 1 | 6A | 85 BPM | ||
Chotis del Eliseo Madrileño - Remastered | Federico Chueca, Nati Mistral, Pura María Martinez, Antonio Blancas, Zori Santos Y Codeso, Antonio Martelo, José Peromingo | C Major | 2 | 8B | 110 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Werther: Pourquoi me réveiller | Jules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F♯ Minor | 1 | 11A | 67 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
Towards Victory | Fyodor Biryuchev | A Minor | 4 | 8A | 118 BPM | ||
Maruxa: "Guarda, Rufo, Que Vienen los Novios Riñendo" | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | B Minor | 6 | 10A | 103 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM |
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